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Frequently Asked Questions (FAQS);faqs.275
+
All trademarks are the trademarks of their respective owners.
***************
*** 428,432 ****
*-[Unquote]---------------------------------------------------------*
! 2. Where can I get <> fonts.
Before I go any farther, let me extol the virtues of the Archie servers.
--- 448,452 ----
*-[Unquote]---------------------------------------------------------*
! 2. Where can I get _____ fonts.
Before I go any farther, let me extol the virtues of the Archie servers.
***************
*** 477,481 ****
LaserJet bitmap fonts:
! wuarchive.wustl.edu:/pub/msdos/laser
Also on other simtel20 mirrors...
--- 497,501 ----
LaserJet bitmap fonts:
! wuarchive.wustl.edu:/mirrors/msdos/laser
Also on other simtel20 mirrors...
***************
*** 507,511 ****
of 7/92] leading supplier of non-Roman fonts.
! 4. How can I convert my <> font to <> format?
Conversion from one bitmapped format to another is not generally too
--- 527,531 ----
of 7/92] leading supplier of non-Roman fonts.
! 4. How can I convert my _____ font to _____ format?
Conversion from one bitmapped format to another is not generally too
***************
*** 534,537 ****
--- 554,560 ----
TrueType HP LaserJet bitmaps MS-DOS, hack!!
+ In addition, Adobe ships a copy of Adobe Font Foundry with all of its
+ fonts which can convert Type 1 fonts into HP LaserJet softfonts.
+
5. Are fonts copyrightable?
***************
*** 734,742 ****
.afm Adobe Type 1 metric information in 'ascii' format (human parsable)
.bdf Adobe's Bitmap Distribution Format. This format can be converted
to the platform specific binary files required by the local X Windows
server. This is a bitmap font format distributed in ASCII.
.chr Borland stroked font file
! .gf TeX graphic font bitmap font file
.mf TeX MetaFont font file (text file of MetaFont commands)
.pfa Adobe Type 1 Postscript font in "ascii" format (PC/Unix)
--- 757,769 ----
.afm Adobe Type 1 metric information in 'ascii' format (human parsable)
+ .bco Bitstream compressed outline
.bdf Adobe's Bitmap Distribution Format. This format can be converted
to the platform specific binary files required by the local X Windows
server. This is a bitmap font format distributed in ASCII.
+ .bez Bezier outline information
.chr Borland stroked font file
! .gf Generic font (the output of TeX's MetaFont program (possibly others?))
! .fli Font libraries produced by emTeX fontlib program. Used by emTeX
! drivers and newer versions of dvips.
.mf TeX MetaFont font file (text file of MetaFont commands)
.pfa Adobe Type 1 Postscript font in "ascii" format (PC/Unix)
***************
*** 748,759 ****
PFB and PFA (see the utilities section of the FAQ).
.pfm Printer font metric information in Windows format
! .pk TeX packed bitmap font file
.ps Frequently, any PostScript file. With respect to fonts, probably
a Type3 font. This designation is much less 'standard' than the
! others.
! .pxl TeX pixel bitmap font file
.sfl LaserJet bitmapped softfont, landscape orientation
.sfp LaserJet bitmapped softfont, portrait orientation
.sfs LaserJet scalable softfont
6.3. Ligatures
--- 775,793 ----
PFB and PFA (see the utilities section of the FAQ).
.pfm Printer font metric information in Windows format
! .pk TeX packed bitmap font file (also seen as .###pk where ### is a number)
! .pl TeX 'property list' file (a human readable version of .tfm)
.ps Frequently, any PostScript file. With respect to fonts, probably
a Type3 font. This designation is much less 'standard' than the
! others. Other non-standard extensions are .pso, .fon, and .psf
! (they are a mixture of type 1 and type 3 fonts).
! .pxl TeX pixel bitmap font file (obsolete, replaced by .pk)
.sfl LaserJet bitmapped softfont, landscape orientation
.sfp LaserJet bitmapped softfont, portrait orientation
.sfs LaserJet scalable softfont
+ .tfm TeX font metric file
+ .vf TeX virtual font which allows building of composite fonts (a character
+ can be composed of any sequence of movements, characters (possibly
+ from multiple fonts) rules and TeX specials)
+ .vpl TeX 'property list' (human readable) format of a .vf
6.3. Ligatures
***************
*** 814,819 ****
eye (and none too legible to the trained eye, either :)).
! There is no "complete" set of ligatures.
6.4. Standard Laser Printer Fonts
--- 848,866 ----
eye (and none too legible to the trained eye, either :)).
! Don Hosek offers the following insight into ligatures:
+ Ligatures were used in lead type, originally in imitation of
+ calligraphic actions (particularly in Greek which retained an
+ excessive number of ligatures in printed material as late as the 19th
+ century), but as typefaces developed, ligatures were retained to
+ improve the appearance of certain letter combinations. In some cases,
+ it was used to allow certain letter combinations to be more closely
+ spaced (e.g., "To" or "Vo") and were referred to as "logotypes". In
+ other cases, the designs of two letters were merged to keep the
+ overall spacing of words uniform. Ligatures are provided in most
+ contemporary fonts for exactly this reason.
+
+ [Ed: there is no "complete" set of ligatures.]
+
6.4. Standard Laser Printer Fonts
***************
*** 880,889 ****
character
- A character is an individual symbol in a font. The letter ``A'' is a
- character. So is a period. All of the printed symbols that can
- appear in a font are characters. They can also be called glyphs.
-
- More technically:
-
(1) The smallest component of written language that has semantic value.
Character refers to the abstract idea, rather than a specific shape (see
--- 927,930 ----
***************
*** 905,915 ****
font
- A font is a collection of symbols that have similar characteristics.
- The symbols in a font have a fixed typeface, size, weight, style and
- symbol set. For example, upright, bold Times Roman at 10pt is a
- font. Contrast with typeface.
-
- More technically:
-
A particular collection of characters of a typeface with unique
parameters in the 'Variation vector', a particular instance of values
--- 946,949 ----
***************
*** 922,933 ****
glyph
- A glyph is a more general term for a symbol that can appear in a
- font. Usually we refer to individual symbols in a font as characters
- (because they are things like ``A'' and ``&''). However, since any
- arbitrary smear of ink can occur in a font, a more general term is
- sometimes used.
-
- More technically:
-
(1) The actual shape (bit pattern, outline) of a character image. For
example, an italic 'a' and a roman 'a' are two different glyphs
--- 956,959 ----
***************
*** 970,978 ****
kerning
! Kerning refers to slight changes in the spacing between characters.
! Some letter combinations (``AV'' and ``To'', for example) appear
! farther apart than others because of the shapes of the individual
! letters. Many sophisticated word processors move these letter
! combinations closer together automatically.
outline font/format
--- 996,1010 ----
kerning
! (noun): That portion of a letter which extends beyond its width,
! that is, the letter shapes that overhang - the projection of a
! character beyond its sidebearings.
!
! (verb): The function of adjusting the intercharacter spacing in
! character groups (words) to improve their appearance. Some letter
! combinations (``AV'' and ``To'', for example) appear farther apart
! than others because of the shapes of the individual letters.
!
! Many sophisticated word processors move these letter combinations
! closer together automatically.
outline font/format
***************
*** 1005,1013 ****
typeface
- A typeface is a collection of symbols with a similar style. Times
- Roman and Helvetica are typefaces. Contrast with font.
-
- More technically:
-
The features by which a character's design is recognized, hence the word
face. Within the Latin language group of graphic shapes are the
--- 1037,1040 ----
***************
*** 1049,1052 ****
--- 1076,1086 ----
illustrations.
+ Notes: it has been suggested that the Dover edition was 3 volumes,
+ paperback, and the Harvard U. P. editions were 2 volumes hardback.
+ It appears that the Dover edition is out of print. Collectible HUP
+ editions are not cheap although later HUP editions may be had. Most
+ libraries have later HUP and Dover editions. If someone knows of
+ a source, please pass it along.
+
_The Art of Hand Lettering_, Helm Wotzkow, Dover Press, reprint from 1952.
***************
*** 1143,1152 ****
David Mandl <dmandl@bilbo.shearson.com>
! 7.2.1. Unicode
_Unicode Consortium; The Unicode Standard, volumes 1 and 2, Worldwide
! Character Encoding_, Addison-Wesley Publishing Co., Xerox Corp.;
! Character Code Standard.
7.2.2. TrueType
--- 1177,1210 ----
David Mandl <dmandl@bilbo.shearson.com>
!
! _Printing Types: An Introduction..._, S. Lawson, (revised) 1990
!
! I'd also recommend Alexander S. Lawson's books especially /Printing
! Types: An Intro.../ (revised), 1990, which includes electronic types
! now.
! Bill Ricker <wdr@world.std.com>
!
! _Twentieth Century Type Designers_, Sebastian Carter, 1987
!
! Discusses adaptaters of old faces to machine caster and film/laser,
! as well as new works.
! Bill Ricker <wdr@world.std.com>
+ _Tally of Types_, Stanley Morrison, Cambridge University Press
+
+ A keepsake for CUP on the Monotype fonts he'd acquired for them when he
+ was Type Advisor to both Brit.Monotype & CUP (Cambridge University Press,
+ Cambs.UK), which discusses his hindsight on some of the great revival
+ fonts and some of the better new fonts.
+ Bill Ricker <wdr@world.std.com>
+
+ 7.2.1. (En)Coding Standards
+
_Unicode Consortium; The Unicode Standard, volumes 1 and 2, Worldwide
! Character Encoding_, Addison-Wesley Publishing Co.
+ _Xerox Character Code Standard_, Xerox Corp., Xerox Systems Institute,
+ 475 Oakmead Parkway, Sunnyvale, CA 94086
+
7.2.2. TrueType
***************
*** 1353,1356 ****
--- 1411,1415 ----
Stephen Peters <speters@us.oracle.COM>
Jim Reese <Jim.Rees@umich.edu>
+ Bill Ricker <wdr@world.std.com>
Liam R.E. Quim <lee@sq.com>
Henry Schneiker <?>
***************
*** 1514,1552 ****
didn't.)
! -- END OF PART I --
! FAQ for comp.fonts: Part II: Macintosh-specific Info
! Version 1.0.0, Release 02OCT92
! Welcome to the comp.fonts FAQ. This article, posted monthly, describes many
! of the basic questions that seem to be repeated frequently on comp.fonts.
! Your comments are both welcome and encouraged.
! The FAQ is divided into sections. The first section is a general overview.
! The remaining sections are more-or-less platform specific. The FAQ is posted
! in pieces to avoid clobbering news and/or mail gateways that are incapable
! of handling arbitrarily large items.
!
! The sections are:
!
! Part I: General Info
! Part II: Macintosh-specific Info
! Part III: MS-DOS-specific Info
! Part IV: *nix-specific Info
! Part V: Sun-specific Info
! Part VI: NeXT-specifc Info
! Part VII: X-specific Info
! Part VIII: Font utilities
! Even if you don't use a particular architecture, you may find it helpful to
! read the FAQ for that platform at least once. Some ideas, like font format
! conversion, may be relevant to more than one platform even if they are
! expressed in platform-specific tools at this time.
! After the FAQ is more stable, monthly DIFFs will be posted as well as the
! complete FAQ.
! This section is divided into the following topics:
1. Mac font notes
--- 1573,1619 ----
didn't.)
! ----------------------------------------------------------------------
! Don Hosek offers the following additional notes:
! The "Times" in most printers is actually a newer version of the font
! than Monotype's "Times New Roman" which it is originally based on.
! Walter Tracy's _Letters of Credit_ gives an excellent history of the
! face which was based on Plantin and in the original cutting has
! metrics matching the original face almost exactly. Another interesting
! note about the face is that it is almost a completely different design
! in the bold: this is due to the fact that old-styles are difficult to
! design as a bold. Incidentally, the classification of Times as a
! transitional is not firm. It likely is placed there by some type
! taxonomists (most notably Alexander Lawson) because of the bold and a
! few minor features. Others, myself included, think of it as a old
! style. The typeface listed in the Adobe catalog as Times Europa was a
! new face commissioned in 1974 to replace the old Times (whose 50th
! birthday was this past October 3rd).
!
! Hermann Zapf is not particularly pleased with any of the
! phototypesetting versions of Optima. As a lead face, Optima is very
! beautiful. His typeface "World", used in the World Book Encyclopedia
! is one recutting for photocomp which improves the font somewhat. He is
! on record as saying that if he had been asked, he would have designed
! a new font for the technology.
! -- END OF PART I --
! FAQ for comp.fonts: Chapter II: Macintosh-specific Info
! Version 1.1.0., Release 30OCT92
! Welcome to the comp.fonts FAQ. These articles, posted monthly, describe many
! of the basic questions that seem to be repeated frequently on comp.fonts.
! Your comments are both welcome and encouraged.
!
! The FAQ is divided into chapters. The first chapter is a general overview.
! Most of the remaining chapters are more-or-less platform specific.
! For more information about the FAQ, please consult the beginning of the first
! chapter. The FAQ is always available via anonymous ftp from ibis.cs.umass.edu
! in /pub/norm/comp.fonts/FAQ*
! This chapter covers the following topics:
1. Mac font notes
***************
*** 1817,1841 ****
Fontographer, as well.
-
-- END OF PART II --
!
!
! FAQ for comp.fonts: Part III: MS-DOS-specific Info
! Version 1.0.0, Release 02OCT92
! This section is divided into the following topics:
! 1. MS-DOS font notes
! 2. Font installation
! 3. Font utilities
! 4. Converting Macintosh Type1 fonts to MS-DOS format
! 5.1 Converting PC Type1 fonts into TeX PK bitmap fonts
! 5.2 Converting TeX PK bitmaps into HP LaserJet softfonts (and vice-versa)
! 5.3 Converting TrueType fonts to HP LaserJet bitmap softfonts (HACK!)
! 6. MS-DOS Screen Fonts (EGA/VGA text-mode fonts)
------------------------------------------------------------------------------
--- 1884,1913 ----
Fontographer, as well.
-- END OF PART II --
! FAQ for comp.fonts: Chapter III: MS-DOS-specific Info
+ Version 1.1.0., Release 30OCT92
! Welcome to the comp.fonts FAQ. These articles, posted monthly, describe many
! of the basic questions that seem to be repeated frequently on comp.fonts.
! Your comments are both welcome and encouraged.
! The FAQ is divided into chapters. The first chapter is a general overview.
! Most of the remaining chapters are more-or-less platform specific.
+ For more information about the FAQ, please consult the beginning of the first
+ chapter. The FAQ is always available via anonymous ftp from ibis.cs.umass.edu
+ in /pub/norm/comp.fonts/FAQ*
! This chapter covers the following topics:
! 1. MS-DOS font notes
! 2. Font installation
! 3. Font utilities
! 4. Converting Macintosh Type1 fonts to MS-DOS format
! 5.1 Converting PC Type1 fonts into TeX PK bitmap fonts
! 5.2 Converting TeX PK bitmaps into HP LaserJet softfonts (and vice-versa)
! 5.3 Converting TrueType fonts to HP LaserJet bitmap softfonts (HACK!)
! 6. MS-DOS Screen Fonts (EGA/VGA text-mode fonts)
------------------------------------------------------------------------------
***************
*** 2005,2012 ****
XBIN converts Mac "BinHex"ed files back into binary format. BinHex is
! the Mac equivalent of UUencoding, it translates files into hexadecimal
! digits so that mailers can send them around without difficulty. It also
! aids in cross platform copying too, I'm sure. BinHexed files generally
! have filenames of the form "xxx.yyy.HQX".
UNSIT explodes "Stuffit" archives. Stuffit archives generally have
--- 2077,2084 ----
XBIN converts Mac "BinHex"ed files back into binary format. BinHex is
! the Mac equivalent of UUencoding, it translates files into ascii characters
! so that mailers can send them around without difficulty. It also aids in
! cross platform copying too, I'm sure. BinHexed files generally have
! filenames of the form "xxx.yyy.HQX".
UNSIT explodes "Stuffit" archives. Stuffit archives generally have
***************
*** 2273,2289 ****
-- END OF PART III --
!
!
! FAQ for comp.fonts: Part IV: *nix-specific Info
! Version 1.0.0, Release 02OCT92
! This section is divided into the following topics:
0. Please help!
- 1. Font utilities
------------------------------------------------------------------------------
--- 2345,2366 ----
-- END OF PART III --
! FAQ for comp.fonts: Chapter IV: *nix-specific Info
+ Version 1.1.0., Release 30OCT92
! Welcome to the comp.fonts FAQ. These articles, posted monthly, describe many
! of the basic questions that seem to be repeated frequently on comp.fonts.
! Your comments are both welcome and encouraged.
! The FAQ is divided into chapters. The first chapter is a general overview.
! Most of the remaining chapters are more-or-less platform specific.
+ For more information about the FAQ, please consult the beginning of the first
+ chapter. The FAQ is always available via anonymous ftp from ibis.cs.umass.edu
+ in /pub/norm/comp.fonts/FAQ*
! This chapter covers the following topics:
0. Please help!
------------------------------------------------------------------------------
***************
*** 2296,2327 ****
section, please forward it to norm <walsh@cs.umass.edu>.
! I have just built and installed the GNU Font utilities. I may have more
! information for this section before the next posting...
!
! 1. Font utilities
!
! PS2PK
- PS2PK allows you to convert PostScript Type1 fonts into bitmap fonts.
- The bitmap files produced are in TeX PK format.
-
- PFB2PFA
-
- Converts 'binary' Type1 fonts into 'ascii' Type1 fonts.
-
-- END OF PART IV --
!
!
! FAQ for comp.fonts: Part V: Sun-specific Info
!
! Version 1.0.0, Release 02OCT92
!
! This section is divided into the following topics:
! 0. Please help!
! 1. Fonts under Open Windows
------------------------------------------------------------------------------
--- 2373,2405 ----
section, please forward it to norm <walsh@cs.umass.edu>.
! Please consult the 'utilities' section for more information. Most of the
! utilities described in that section run under Unix.
-- END OF PART IV --
+ FAQ for comp.fonts: Chapter V: Sun-specific Info
+ Version 1.1.0., Release 30OCT92
! Welcome to the comp.fonts FAQ. These articles, posted monthly, describe many
! of the basic questions that seem to be repeated frequently on comp.fonts.
! Your comments are both welcome and encouraged.
! The FAQ is divided into chapters. The first chapter is a general overview.
! Most of the remaining chapters are more-or-less platform specific.
! For more information about the FAQ, please consult the beginning of the first
! chapter. The FAQ is always available via anonymous ftp from ibis.cs.umass.edu
! in /pub/norm/comp.fonts/FAQ*
!
! This chapter covers the following topics:
!
! 0. Please help!
! 1. Fonts under Open Windows
! 2. Does OpenWindows support Type 1 PostScript fonts?
! 3.1 Improving font rendering time
! 3.2 Making bitmap fonts for faster startup:
! 4. Converting between font formats (convertfont, etc.)
! 5. Xview/OLIT fonts at 100 dpi
! 6. Where can I order F3 fonts for NeWSprint and OpenWindows?
------------------------------------------------------------------------------
***************
*** 2339,2361 ****
from Liam R.E. Quim's <lee@sq.com> Open Windows FAQ.
! Does OpenWindows support Type 1 PostScript fonts?
! No. If you have FrameMaker there is a utility to import them, I'm told.
! The 57 fonts supplied with OpenWindows are fully hinted, though, and
! comparing them to the Microsoft Windows and Apple TrueType fonts is
! interesting... The F3 font format is described in a publication from the
! Sun OpenFonts group, listed in the Bibliography below. Documentation on
! the unbundled version of TypeScaler is also available from Sun OpenFonts.
!
! Sun has a program that converts Type 1 fonts to Folio format, but it's
! not cheap. You can buy Folio fonts, although the Sun sales office I
! called weren't able to help me do so :-(
! The latest release of Sun's NeWSPrint supports Type 1 fonts.
! Improving font rendering time
Although the Sun type renderer (TypeScaler) is pretty fast, it's not as
! fast as loading a bitmap :-). You can pre-generate bitmap fonts for sizes
that you use a lot, and you can also alter and access the font cache
parameters. If you have a lot of memory you might want to increase the
--- 2417,2433 ----
from Liam R.E. Quim's <lee@sq.com> Open Windows FAQ.
! 2. Does OpenWindows support Type 1 PostScript fonts?
! Type 1 fonts are supported starting with the NeWSprint 2.0
! and Solaris 2.0 (OpenWindows 3.0.1) releases.
! There are also 57 F3 format fonts supplied with OpenWindows which
! are fully hinted. Documentation on the F3 font format and the F3 font
! interpreter, TypeScaler, is available from Sun.
! 3.1 Improving font rendering time
Although the Sun type renderer (TypeScaler) is pretty fast, it's not as
! fast as loading a bitmap. You can pre-generate bitmap fonts for sizes
that you use a lot, and you can also alter and access the font cache
parameters. If you have a lot of memory you might want to increase the
***************
*** 2364,2368 ****
Welcome to X11/NeWS Version3 <--- psh will say this at you
currentfontmem = % type this line ...
! 300 % and here's whai my server was using -- 300 Kbytes
1024 setfontmem
% Just to check:
--- 2436,2440 ----
Welcome to X11/NeWS Version3 <--- psh will say this at you
currentfontmem = % type this line ...
! 300 % and here's what my server was using -- 300 Kbytes
1024 setfontmem
% Just to check:
***************
*** 2372,2376 ****
so that the PostScript packages are loaded - see the psh man page.
! Making bitmap fonts for faster startup:
$ mkdir $HOME/myfonts
--- 2444,2448 ----
so that the PostScript packages are loaded - see the psh man page.
! 3.2 Making bitmap fonts for faster startup:
$ mkdir $HOME/myfonts
***************
*** 2393,2403 ****
of your start-up files, e.g. .login or .profile.
! Converting between font formats (convertfont, etc.)
! You can also use Folio fonts with an X11 server, by converting them to a
! bitmap (X11 bdf format) first. Your licence forbids you from using the
fonts on another machine, and unless you have NeWSPrint you shouldn't
! use them for printing. Having said all that... you can use makeafb and
! convertfont to generate bdf files that you can compile with bdftosnf or
bdftopcf.
--- 2465,2475 ----
of your start-up files, e.g. .login or .profile.
! 4. Converting between font formats (convertfont, etc.)
! You can also use F3 fonts with an X11 server, by converting them to a
! bitmap (X11 bdf format) first. Your license restricts use of these
fonts on another machine, and unless you have NeWSPrint you shouldn't
! use them for printing. Having said all that... you can use makeafb
! and convertfont to generate bdf files that you can compile with bdftosnf or
bdftopcf.
***************
*** 2405,2409 ****
X11 bdf format, which you can then use with either X11 or OenWindows.
! Xview/OLIT fonts at 100 dpi
There aren't any. More precisely, the various text fonts, such as
--- 2477,2481 ----
X11 bdf format, which you can then use with either X11 or OenWindows.
! 5. Xview/OLIT fonts at 100 dpi
There aren't any. More precisely, the various text fonts, such as
***************
*** 2412,2430 ****
scale very well.
! -- END OF PART V --
!
! FAQ for comp.fonts: Part VI: NeXT-specific Info
! Version 1.0.0, Release 02OCT92
! This section is divided into the following topics:
! 0. Please help!
! 1. Font availability
------------------------------------------------------------------------------
--- 2484,2543 ----
scale very well.
! 6. Where can I order F3 fonts for NeWSprint and OpenWindows?
!
! 600 F3 fonts are available for unlocking from Printer's Palette, a CD
! available with NeWSprint 2.0.
+ In addition, F3 fonts are available from the following sources:
+ Linotype AG Linotype Company
+ Mergenthaler Allee 55-75 425 Oser Avenue
+ 6236 Eschborn Germany Hauppague, NY 11788
+ 49/(61 96) 4031 (800) 336-0045
+ FAX 011/49/6196-982185 FAX 516-434-2055
+ attn: F3 Font Production attn: F3 Font Production
+
+ Monotype Plc. Monotype Typography
+ Salfords Redhill RH1 5JP 53 W. Jackson Boulevard Suite 504
+ England Chicago, IL 60604
+ 44/(737) 765959 (800) 666-6893
+ FAX 011/44/737-769243 FAX (312) 939-0378
+ attn: F3 Font Production attn: F3 Font Production
+
+ U R W U R W
+ Harksheider Strasse 102 One Tara Boulevard Suite 210
+ D2000 Hamburg Germany Nashua, NH 03062
+ 49/(40) 606050 (603) 882-7445
+ 49/(40) 60605148 (603) 882-7210
+ attn: F3 Font Production attn: F3 Font Production
+
+ Bigelow & Holmes Autologic
+ P. O. Box 1299 1050 Rancho Conejo Boulevard
+ Menlo Park, CA 94026 Newbury Park, CA 91320
+ 415/326-8973 (800)235-1843, or (805)498-9611 in CA
+ FAX (415) 326-8065 FAX (805) 499-1167
+ attn: F3 Font Production attn: F3 Font Production
! -- END OF PART V --
! FAQ for comp.fonts: Chapter VI: NeXT-specific Info
! Version 1.1.0., Release 30OCT92
+ Welcome to the comp.fonts FAQ. These articles, posted monthly, describe many
+ of the basic questions that seem to be repeated frequently on comp.fonts.
+ Your comments are both welcome and encouraged.
! The FAQ is divided into chapters. The first chapter is a general overview.
! Most of the remaining chapters are more-or-less platform specific.
! For more information about the FAQ, please consult the beginning of the first
! chapter. The FAQ is always available via anonymous ftp from ibis.cs.umass.edu
! in /pub/norm/comp.fonts/FAQ*
+ This chapter covers the following topics:
+
+ 0. Please help!
+ 1. Font availability
+
------------------------------------------------------------------------------
***************
*** 2443,2459 ****
-- END OF PART VI --
!
!
! FAQ for comp.fonts: Part VII: X-specific Info
! Version 1.0.0, Release 02OCT92
! This section is divided into the following topics:
! 0. Please help!
! 1. X fonts and font utilities
------------------------------------------------------------------------------
--- 2556,2579 ----
-- END OF PART VI --
! FAQ for comp.fonts: Chapter VII: X-specific Info
+ Version 1.1.0., Release 30OCT92
! Welcome to the comp.fonts FAQ. These articles, posted monthly, describe many
! of the basic questions that seem to be repeated frequently on comp.fonts.
! Your comments are both welcome and encouraged.